The Seventies

Thanksgiving, November 23, 1972, Queens, New York
L-R: Robert, me, Donald, Christine, Christine’s mother, name of guest/photographer/empty chair holder—alas—unknown

The seventies were a maelstrom for me, and it was no coincidence that I was in my twenties then. Many people suffer such a period in their youth—some thrive, some survive, some don’t recover. While my memory is still a good catalog of seventies events, pictures, and feelings, I could not assign many to a specific year with certainty, even though I spent most of the decade living in one place, Manhattan.

1970-1978 included many job and address changes—including a three month stint in France. I can’t squeeze my six jobs (and counting) into the seven plus years in any sensible order, even with the help of friends from the era, nor can we agree on the exact when and who of the housing, although we shared many of those seven (and counting) different apartments.

These mysteries are not due to substance abuse, since our tipple consisted of the beer or wine we could afford, and nothing else. Our nights dancing to disco and drinking in the women’s bars ended at The Pink Teacup, where an affordable Southern fried breakfast induced sleep, or at the commercial bakery on Seventh Avenue, where the nice bakers gave us free fresh-baked rolls to soak it all up. We were young, we were innocent.

So much of what happened during each of those years was impossible to pin down, until now. I received some confirmation of the exact details of my 1972 life this fall, when Robert, the fellow facing the camera in the photo above, contacted me. Robert and I are much closer to our seventies than we could imagine being in 1972, that’s for sure, but his description of the event in the photo clarified the year for me. Research into Southern Californian earthquakes helped with 1971.

Proof of my attendance at the Thanksgiving dinner that Robert and Christine (closest to the camera) hosted that year—their first as a married couple—confirmed that I was working at The New Yorker magazine in 1972. Christine and I became great pals as we toiled in the magazine’s business section, located on a different floor from the literary grandees. Using an electric typewriter, I typed (no correction fluid allowed) for a baby-faced advertising space salesman with whom I shared a small office in the building on West 44th Street. Two desks, two chairs, two black rotary telephones, one typewriter, a file cabinet. I called him Bob until he told me I had to call him Mr. Barns (not his real surname). I was barely 21, he might have been 30, so you can bet I called him Mister Barns with meaning. The space salesmen—all Ivy League chaps—headed for the Harvard Club across W. 44th Street for liquid lunches, following the example of the magazine’s leader, Mr. Fleischmann. I too escaped as often as I could to Christine’s office, one shared with several other artists. She sat behind a wooden drawing table where I’d perch and we’d chat and laugh—oh, how we laughed.  

Fixing where I worked in 1972 allowed other memories to snap into focus. That year, I shared a light-flooded walkup on Barrow Street in the West Village. We carried our bicycles, laundry, and groceries up and down the six well-worn flights. I often rode my bicycle to W. 44th Street, and from there up to Central Park, to the evening softball games of a New York summer.

As nice as all of that may sound, life was complicated and unhappy—remember the maelstrom? I was juggling being out of the closet with some friends and very much inside it with other friends, my family, and at work. I’d seen the head of personnel at The New Yorker—a small spinster who lived with her elderly siblings—watching me walk in a weekend gay pride march from her Christopher Street apartment. I’d looked right up into the open window of her apartment and seen her looking at me. That week, she called me to her office and said, “I saw you. I know what you are.” In the seventies, she had the upper hand. I could only offer, “I saw you, too,” in return. Was there a hint of defiance without a downright challenge? A tiny threat of something? However she took it, nothing more was said to me, and nothing happened, but I knew where I was.

She didn’t know what I was, or who. For instance, my roommate in the Barrow Street apartment was a young woman with whom I shared a fraught romantic relationship. I still shared a similar relationship with a young man who’d moved to Southern California to attend law school, although we’d essentially broken up the previous year—the year I’d also dropped out of college. Obviously, my relationship with my parents was complicated and unhappy, too.

Enter my parents—so why wasn’t I enjoying Thanksgiving dinner with them in 1972? Because they still lived in L.A., having run away from New York in 1970. Like wannabe starlets from Peoria, they’d followed the fiction of sun-filled happiness. Early in 1971, I flew to L.A. to visit them. It was my very first flight, the tickets for which I’d purchased at the TWA store front on Fifth Avenue. During that long visit I spent a little time with the law student and a lot of time trying to decide what to do with myself: back to the law student? back to college? back to the situation on Barrow Street? Frankly, the thumpa thumpa of the gay bars in the Village beckoned.

Survival wasn’t on my list, but early on the morning of February 9th, 1971, the San Fernando 6.6 magnitude earthquake shocked the L.A. area. My bed careened across the room with me in it. The woman in the apartment upstairs screamed. I climbed over the bed for the hallway. My father stood in their bedroom doorway, the cat ran helter-skelter. I jumped under a door frame and my mother joined me. During the grinding and roaring of the quake—a sound like two jumbo jets crashing into one another—the doors in the apartment slammed shut, only to open and slam shut again, and again. The place rolled like a ship. The floor in the living room gathered itself up into a speed bump. I felt no fear, just a grim certainty that we were not going to survive.

Remarkably, the cheesy-looking apartment building did not fall down on our heads, but parts of elevated highways, nursing homes, and hospitals in L.A. did collapse—people were injured, people died. The strong aftershocks were much more frightening, although the locals seemed unfazed. We felt them in the apartment, in the House of Pie (echoes of Mildred Pierce), in the Torrance public library.

After my hasty return to New York—the law student and I having parted by mutual agreement—the heavy vibration of the 7th Avenue subway under my feet sent adrenalin flooding through me. I returned to Barrow Street, and was still living there when the Watergate scandal broke in June of 1972, and in 1973 when Billy Jean King beat Bobby Riggs in three sets of tennis: all that time the relationship got more complicated, not less. I may have been living there the evening Nixon resigned on August 8, 1974. A group of us ordered pizza and drank beer while watching his speech on the little black and white TV—or we may have watched it in the new place I shared with my friend Nicole (we’re still sharing unresolved recollections about this). 

Over the middle portion of the seventies, I moved to different jobs, different apartments, and to different relationships, including the one that took me to France for three months. I won’t say that I fared much better with any of them—maelstrom mode still applied—but I enjoyed much of the French trip. I also enjoyed working at The Legal Aid Society on Park Row and the friends made there—we had fun, a lot of fun. The day before Nixon’s resignation, fellow Legal Aider and current friend Mary Ann and I joined the morning crowd jamming Park Row to gaze up at the World Trade Center, still under construction. There, high up between the towers, Phillipe Petit crossed a high wire strung between them. For forty-five minutes, he crossed, danced, and saluted the construction workers inside and the crowd nearly a quarter mile below.

Later in the seventies, I committed to night classes at Hunter College for several semesters and began to formulate a life plan for myself—slowly and in pieces, the maelstrom began to calm.

My parents returned to New York too, acknowledging that they were not cut out to be Angelenos, but turmoil awaited them, unfortunately. I left both my apartment on W. 69th Street and New York City altogether in August 1978. Taking up a work-student life at the University of Massachusetts/Boston, I stayed until I graduated with a B.S. and M.S. in biology, good career potential in hand, and most importantly, the relationship with Suzy that has nurtured and sustained me for life. The end of the seventies brought fair winds and following seas.

In spending time writing this, and rifling through the past, I concluded that it really doesn’t matter where I worked, or where I lived, or what was happening when. What mattered then as now are the beautiful moments, sights and sounds, the love, the laughs, the friends, and the family. Some of them are gone—swallowed up by the AIDS epidemic that followed the seventies, or lost to old age, lost to a different calamity, or just lost to me. I am grateful to still have a few friends who shared the seventies with me, but there’s another epilogue to this particular seventies story, a sad one. Robert, Christine and I had lost touch. Blame it on my endless shuffling of locations, jobs, and relationships. Yes, blame it on the relationships. It was a full time job being young and (mostly) out in New York in the seventies, and then I left for good. It is a loss that I deeply regret, most especially since Christine passed away two years ago, leaving Robert to mourn. I mourn for both of them deeply and for those lost years I could have enjoyed knowing her.

Robert found me through this blog and sent me the link to the support site Christine joined during her illness. I read her always wise and unsentimental, often humorous, and powerfully moving comments. One of the understated and very Christine comments was that she’d noticed that many people seemed fond of her. I wish she’d known how fond I was of her and how much she’d given me all those years ago. I wish I’d told her.

Heroine Of Her Own Life News: Reviewed and Imprinted! Merch!

Appearing in the February 2020 Historical Novel Review, Historical Fiction Market News:

Constance Emmett’s debut novel, Heroine of Her Own Life (Next Chapter, Aug. 29, 2019) offers a powerful story set in early 20th-century Belfast, Northern Ireland, where working class Meg Preston and Lillian Watson forge a lasting love against the tide of society’s intolerance, sectarian violence, and the looming world war that threatens to tear everything apart.

Last month’s next step: publisher Next Chapter announced completion of imprinting—Heroine Of Her Own Life now officially part of the Next Chapter catalog!

Paperback, Kindle and Large Print versions available on Amazon.com:

http://mybook.to/heroineoholpb

http://mybook.to/heroineohollp

Also available on Amazon.co.uk (VAT included) and Amazon.de.

Merch available this spring!

February

February at Sidehill Farm, Hawley, Massachusetts

When I was a child, February was a cheery month, one filled with holidays and reprieve from school routine. Celebration of George Washington’s February 22nd birthday included cherry cakes and trips to The Miller House where he stayed while planning the 1776 Battle of White Plains. On display in the stone house: Revolutionary War era-looking boots, a uniform that looked like a general’s, the table where he ate, and the bed where he slept (I fell for it hook, line and sinker). Cherry cake symbolized the teaching moment of his confessing to chopping down his father’s cherry tree with a hatchet: “For I cannot tell a lie, Father,”—all was forgiven for telling the truth (not in my house it wouldn’t have been).

We celebrated Lincoln’s birthday on February 12th with tales of his hardscrabble childhood, splitting wood with an axe, the Civil War, Mary Todd, the poor son Willie dead at 11, and his assassination. We did not enjoy cakes or field trips for Lincoln, alas, but it provided a break from memorizing:

Thirty days hath September, 
April, June, and November,
February has twenty-eight alone,
All the rest have thirty-one;
Excepting leap year, that's the time
When February's days are twenty-nine.

Washington and Lincoln had axe-wielding childhoods far from my experience and nevertheless, or consequentially, fascinating. Washington’s birthday is a Federal holiday, celebrated in the 21st c. on the third Monday of the month (his actual birthday was February 11, 1731, but with the British 1752 switch from the Julian to the Gregorian calendar, it was recalculated to February 22, 1732) and is referred to as Presidents’ Day. Very few states celebrate Lincoln’s February 12th birthday now, including my home states of New York and Massachusetts, and it is marked only by inclusion in Presidents’ Day.

In between the two birthdays, elementary schools celebrated Valentine’s Day with little cards distributed in class by secret admirers. The card distribution allowed some level of running around the little wooden desks from the ink well era, a rare event. The teachers made sure everyone received some admiration—I hope—along with the sweets they provided (or it may have been that the mothers—assumed to have been at home in their aprons—were pressed into baking for the occasion).

With adolescence and early adulthood, February fell down a peg or two in cheer, plummeting to what it is: the absolute dead of winter. Presidents’ Day sometimes was a day off from work, a weekend to make the rounds of car dealers for many. The 12th was noted only in passing, with little reverence paid to the great man. Valentine’s Day was fraught or not, depending upon one’s love life—secret admirers were low on the ground but once revealed, often a disappointment.

According to the poetry of my childhood, February brings blooming daffodils, newborn lambs, and a heavy hint of spring in the air (Anne Brontë wrote that her “…bosom glowed…” in February!). These poems were written with temperate British Isles or the Mediterranean as a backdrop. In New York and certainly in New England, the month seems more Shakespearean; from Much Ado About Nothing:

Why, what's the
matter,
That you have such
a February face,
So full of frost, of
storm and
cloudiness?

Certainly in New England, as Joseph Wood Krutch observed, “The most serious charge which can be brought against New England is not Puritanism but February.”

Fast forward to, ahem, well past middle age, and my reactions to February have changed again: I now treasure it as a time of privacy, comparative inaction, and a chance to experience delayed gratification in the modern world. To quote William Blake, “In seed time learn, in harvest teach, in winter enjoy.” From a gardener’s perspective, the benefit of winter in general, and arguably February in particular, is captured eloquently by gardener/writer Ruth Stout in How to Have a Green Thumb without an Aching Back: “There is a privacy about winter which no other season gives you…Only in winter…can you have longer, quiet stretches when you can savor belonging to yourself.”

From a writer’s perspective, February is a wonderful time to hunker and write—nothing’s calling you outside for very long, nobody’s demanding much of you, as long as the heat is on, the wood stacked next to the woodstove, the larder stocked, and you add to the feeling of general coziness in your household—what the Danes and Norwegians call hygge.

Hygge

In her poem, “February,” Margaret Atwood describes her -30 F degree, wind-blasted Canadian version of surviving February, which as it does in my milder winter life, includes eating accordingly:

Winter. Time to eat fat
and watch hockey. In the pewter mornings, the cat,
a black fur sausage with yellow
Houdini eyes, jumps up on the bed and tries
to get onto my head. It's his
way of telling whether or not I'm dead.
[...]
February, month of despair,
with a skewered heart in the centre.
I think dire thoughts, and lust for French fries
with a splash of vinegar.
[...]

“In the pewter mornings…” How perfect is that? The entire version (not copied here) of this wonderful poem is posted on www.poetryfoundation.org and is published in Atwood’s Morning in the Burned House (1995, Houghton Mifflin Harcourt).

For the delayed gratification that may be found in February, turn to William Cullen Bryant, renowned and influential (before there were influencers) 19th c. poet, journalist, liberal, editor, and late of the parish next door in Western Massachusetts: “The February sunshine steeps your boughs and tints the buds and swells the leaves within.”

The orbit/tilt is shifting toward spring in February, noticeable only by the slow crawl of the earlier sunrise this month. The tinted buds and swelling leaves are hidden. Unlike March, the shift this month is so subtle that even the avid looker, the trained seer, must trust that the plants and animals are changing, shifting toward spring. In my youth I willed February, the shortest month, to end, but now I dread its ending. I dread losing the promise held by the dead of winter and the loss of breathtaking moments like this, so beautifully described by Sara Teasdale in her poem, “February Twilight”:

I stood beside a hill
Smooth with new-laid snow,
A single star looked out
From the cold evening glow.
There was not other creature
That saw what I could see,
I stood and watched the evening star
As long as it watched me.
Wishing a hygge February to all!

Hidden Gem: Hawley Bog

Hawley Bog in October

Our town in Western Massachusetts is a place of great natural beauty. The hills, forests, rivers, and changing skies are all in plain sight for us to enjoy. One of Hawley’s landmarks, hidden from our routine lives, is unique and even exotic, and that is the Hawley Bog.

Just off East Hawley Road, the parking area for the bog and the Old Town Common—another hidden gem—is well-marked, thanks to the placement of a kiosk, picnic table, and bike rack by the historical society, Sons and Daughters of Hawley, with the support of the bog owner-manager The Nature Conservancy and grants from MassHumanities. The kiosk displays maps of the trails for the bog and the Old Town Common. Walk left to the bog and you will arrive at a second kiosk and the visitors’ log, managed by the Five College Consortium (Amherst, Hampshire, Mount Holyoke, Smith, and UMass/Amherst), which co-owns the bog and uses it as an outdoor classroom and research center.

The narrow passage through to the open expanse of the Hawley Bog is an assembly of largely unfamiliar plant life and a summer riot of green, pink, white, and yellow, turning red-gold and purple in autumn. Follow the 700-foot boardwalk built by The Nature Conservancy and town volunteers into the open area to see the tops of white pines sunk into the bog, and red maple saplings, flaming scarlet in October. The stunted pines and maple forever saplings have adapted to the bog’s highly specialized environment, as have the unfamiliar plants popping through the mossy mat that moves under your feet. What is the bog environment exactly, how did it form, and when?

Thousands of years ago, the glacier that covered the Northeast in the last ice age receded, as Earth’s orbit, tilt, and rotational axis orientation changed (Milankovitch cycles describe the varying of orbiting, tilt, and rotational axis orientation of the Earth every 41,000 years). The Pocumtuc people (ancestors of the Abenaki) followed the receding glacier 9,000 -12,000 years ago to the confluence of three rivers—the Green, the Deerfield, and the Quinnitikut (modern spelling: Connecticut)—to settle where fish and game were abundant. About twenty miles west and up a steep hill, that same receding glacier left a kettle-shaped depression and eventual lake that evolved into the Hawley Bog.

With no stream running through it to add nutrients or wash vegetation away, decaying matter accumulated and the lake became acidic and nutritionally vacant—the lake became a bog. Rain and snow provided the only nutrients, creating an environment where specially adapted plants grew. The primary bog plant, sphagnum (peat) moss, is adapted to living in acidic water with little or no flow. New growth remains at the surface and older portions continually sink and die, releasing the tannins and enhancing the acids that give the water a brownish color and further slow decay. The dead material accumulated and, at the margins, the Hawley Bog sphagnum mat is over 30 feet thick. But, as you walk out on the boardwalk toward the open expanse, the mat thins and moves under your feet.  Rain and snow continue to provide the only sources of potassium and phosphorous. Nitrogen is introduced by the ammonia in urine and feces of birds, insects, mammals, and also by combustion engine exhaust. Some plants adapted by becoming carnivorous in order to increase their access to essential nutrients.

Specialized plants growing on the sphagnum moss surface, such as pitcher plants and sundews, are able to photosynthesize for energy, but can only thrive in the low level of essential nutrition and highly acidic environment because of their carnivorous habits. They have evolved ways to use Hawley’s hordes of black flies and mosquitos. Pitchers drown them, sundews trap them on sticky tendrils, then roll them up in the leaves. Bladderwort, living in the dark water, display trigger hairs on trap-like bladders. All have evolved to digest insects with special enzymes.

Pitcher Plant in the Hawley Bog

Non-carnivorous plants grow to their best ability in and around the bog where conditions allow: rhododendron, leatherleaf, laurels, bog rosemary, Labrador tea, high-bush blueberry, low-growing large cranberry, and other stunted trees like tamarack and black spruce. Purple wild iris, the tiny orchid rose pogonia, delicate grass pinks shaped like upside-down orchids, and other orchids and flowering plants also grow in and among the hummocks of the mat.

Winged and terrestrial creatures visit and inhabit the bog: flycatchers, red-winged blackbirds, white-throated sparrows, moose, deer, bears, small mammals, dragonflies, and bees all make use of the bog fauna and flora.

The low-oxygen, acidic, and low-nutrient conditions do not support fish, reptiles, or amphibians. In fact, those conditions are preservative rather than supportive of life generally, hence the discovery of humans who entered the Northern European bogs in the Bronze and Iron Ages by ancient winter ritual or accident, and now grace museum cases in remarkably well-preserved states (see Tollund Man, et al.).

Isolation over millennia, followed by local respect for the natural world, has left the Hawley Bog largely unaffected by humans, except in an inescapable global manner. Pitcher plants, which can live 50 years, serve as measures of air pollution. As the nitrogen from combustion engine exhaust increases in the bog, pitcher plants are growing larger leaves and smaller pitchers, their reliance on catching insects less important for essential nutrients.

So, whether a local or a visitor to the many gems in this area, drive up and enjoy this gem in our midst; or make it a destination and return during different seasons. It doesn’t take long to enjoy the Hawley Bog and you’ll be glad you stopped (please note and respect the posted rules, and note that the boardwalk—the only means of entering the bog—is not highly accessible, nor are dogs allowed).

Before you get back in the car though, head toward the kiosk and then enter the self-guided tour of the Old Town Common and its cellar holes. Start at the plaque on the rock marking the site of the first church built in 1793, and you’ll soon be lost in the history of our town, as you follow the researched text and drawings on the placards (note: the cellar holes are not highly accessible either—basically a walk in the woods—but dogs are welcome).

What Would Andrea Mitchell Do?

NBC News

Andrea Mitchell has been a journalist since she graduated from the University of Pennsylvania in 1967. Working continuously on radio and TV news shows, she worked her way up to Chief Congressional, Chief White House, and Chief Foreign Affairs correspondent for NBC news, covering stories like the 1979 Three Mile Island nuclear power plant disaster along the way. These achievements came at times when women journalists had to fight even harder than they do now for jobs, recognition, and promotion.

As she grew in professional stature, she is reported to have been generous and kind to younger women journalists, which is not always a given. Now with her own show on MSNBC weekdays at noon, for which she does her own reporting, she also has the best upper arms on television—defined and trim at age 73. Remarkably, she races to the front lines to interview candidates and beats much younger reporters, appears on numerous other news shows, and writes for her own show. All on four hours of sleep.

For these reasons, when I am feeling down or lazy—self-indulgent—I ask myself, what would Andrea Mitchell do?

My question is answered easily when it comes to motivating my own exercise regimen, minuscule compared to hers, because AM obviously puts her time in lifting weights—I’ve read that she squeezes time to work with a trainer, à la another inspiration, Ruth Bader Ginsburg. With larger questions in life, AM is a guiding light for me too. During the long period when I could not publish my novel, I looked to her long career and the tenacity it must have taken to remain in the newsroom and rise in the ranks. I admire her elegance, grace, and cool, even while asking the tough questions with her no-nonsense approach.

Andrea Mitchell presents as a low-key persona on television, one that can be interpreted as humble. She is a Nationals baseball fan, a Democrat (I assume), an anchor, pundit, and journalist. Whatever else she is, her choice in a mate is baffling: Alan Greenspan, member of Ayn Rand’s circle in the 1950s and as Federal Reserve Chair, promoter of the easy money legacy, which many think led directly to the subprime mortgage and credit crisis of 2007 (however incomprehensible, there are many mixed-politics couples).

Why do I ask what Andrea Mitchell would do, and not Eleanor Roosevelt, Nancy Pelosi, RBG, Nurse Edith Cavell, or Greta Thunberg? Andrea Mitchell is alive and a member of my generation, plus I find her calm demeanor, her speech—flawed often by hesitation—comforting. However courageous AM is, Nancy Pelosi and RBG—both alive and fit—are too fearless, too brave and outspoken to be comforting mentors—too much the warrior icons, and thank goodness for them. Triple that for Greta. I am too much in awe of their courage and certainty to even wonder what they would do in any situation. Of course Nancy would not have a second drink! Greta’s never had one, let alone a second chocolate chip cookie—or a moment’s inaction against the tide of horrors I find defeating.

Once the impeachment trial is over, and the weight of the verdict presses heavily upon us, I will need Andrea Mitchell more than ever. Soon, when it’s noon on some days and time for my low-key weight lifting (once my hand heals from surgery last month)—I’ll turn on the Andrea Mitchell news show—her upper arms beckon.

#5onFri: Five Tips for Post-Publication Survival and Success

DEC 13, 2019 by Constance Emmett
published in Community

Congratulations! You’ve published your book—now what? You worked very hard to get here—sitting on your own, writing, rewriting, and submitting for publication—surviving rejection and persisting. It’s time to buckle up again though, because post-publication may be bumpy, even overwhelming at times. Here are five tips to help smooth your way. Take a deep breath. Exhale. Scroll through DIY MFA for information and inspiration—both are here to be found!

1) Savor the moment

First, enjoy your accomplishment. You’ve worked hard for a long time, and you’ve succeeded. Not everyone persists and succeeds, but you did! Tell everyone and enjoy a party—you’ve been writing for a while, alone, so break out a little. Take the time to truly savor your accomplishment.

2) Mind the gap!

Mind the gap between what you expect and what you experience. If this is your first publication, you’re in a new world (and if this is not, you’ll know the drill, but it’s good to be reminded). The serious subject of sales will quickly overshadow publication joy—it’s a fact of your new life—but you can help promote your sales by working through steps 3 and 4.

Friends and family will be congratulatory and really pleased for you…except the ones that seem, well, jealous, and either ignore your feat or say weird things about it. It really isn’t you, don’t worry, but don’t be surprised if you hear things like, “You know I’ve written a book, too,” or “Maybe I’ll write a novel,” instead of a simple, “Good for you!” I never thought post-publication would hold social terrors, but once news of my publication spread, a few acquaintances and friends were at best tone deaf and at worst downright weird toward me. Most have been supportive and even excited for me, but here’s an exchange that illustrates one type of weirdness encountered:

She: I just bought your book!

Me: Thank you! Enjoy it!

She (at the top of her lungs at a party): So-and-so told me it’s hard to get into, but once you get past the beginning, it’s good.

Me: Speechless.

Chalk it up to whatever and appreciate your new understanding of these people—it’s information. You’ll be able to tell who has actually read your book and appreciated it versus those who did neither, whatever they say. Better to accept the fact that not everyone will enjoy what you wrote—after all, you don’t read every genre and haven’t liked every book you’ve ever read either. The people who tell you they loved your book with feeling and detail will make you unimaginably happy.

 3) Hit social media hard

With fanfare, post the steps of your publication on Instagram, Facebook, Twitter, your blog, and website. Use all of your online social media platforms, but don’t neglect your local newspaper or your book club, library and writers’ groups.

Post the photo of the cover art, your author’s photo and the release dates for each version: paperback, hardback, Kindle/device, and audio. When the book is released—online or in brick stores—post photos of book signings, the bookstore window, the blurb on Amazon. Keep hitting your social media hard. Ask your readers to post reviews and ratings on Amazon and Goodreads—give them a chance to read it, but don’t be shy—keep asking.

4) Dig in, dig deeper

Unless you scored a traditional publishing house with deep pockets, you’ll be responsible for the book’s promotion—that’s certainly true of indie/hybrid and self-publishing. If you are lucky enough to have an agent, the agency will help promote the book, but in the modern world, you’re responsible for your own promotion at least to some degree.

If you don’t have an agent, start pitching again to agents with your book already reviewed and selling. By this time, you know how to choose agents with whom you have the best chance of a successful submission, but for a quick reminder, see this article, Query Tracker, Guide to Literary Agents 2019, Writer’s Market 2019, and other sources.  Remember that reputable agents will never ask for upfront fees. If you are thinking about exploring book marketing consultants or book marketing courses, both can be expensive, so only consider those endorsed and offered by reputable organizations like Writer’s Digest and diyMFA.

Meanwhile, if your book is available on Amazon, set up the “Follow the Author” page and the author page on Goodreads, and those on the online writers’ and readers’ groups to which you belong. Follow the prompts given such as “ask the author a question,” etc.—refresh and add to those sections regularly.

Contact the book reviewer for your local newspaper and suggest an interview and review of your book. If your publisher does not supply review copies, buy them yourself and send to appropriate journalists, bookstore owners, and writers for review magazines.

Do your homework—if you belong to a genre organization (and you should belong to as many as possible), check out their review system and submit your book for a published review. Plan to attend book fairs and writers’ conferences with copies of your book to sell— hit the road. The conferences also will provide the opportunity to pitch to agents in person and network with other writers—all worth the expense of the fee and travel because the exposure is priceless.

Think about the living writers whose work you admire the most. Send each a copy of your book (via their agent or publisher) with a note of praise for their work and thanks for their inspiration. All writers are busy, but all writers read, and it’s a worth a try. Imagine a writer you admire liking your book and telling her friends—at the very least it will provide an opportunity—a conversational gambit—to connect with them at conferences and book signings.

 5) Write

Go back to your roots: sit down and start a new book, write blog posts, or short pieces for publication. Remind yourself that you wanted to write, that you are a writer—so write! Work on tips 3-4, think creatively about how to help sales, then sit down and write something new. Writing will help you thrive while promoting your book, and will build your craft, your reputation, and your oeuvre. You are a writer first and foremost, that’s clear—enjoy yourself and write. Do it for your readers, the ones who loved your book and miss the world you created for them—they’ll love you for it.


Constance Emmett’s debut historical/LGBT+novel, Heroine Of Her Own Life, published by Next Chapter, begins shipping at the end of August. She writes in an aerie-like office in the beautiful foothills of the Massachusetts Berkshires. Her non-fiction is posted on her blog, or connect with her on Twitte

New book marketing for Heroine Of Her Own Life

My publisher, Next Chapter, has expanded their book marketing platforms to include Prolific Works (formerly InstaFreebie). The above link takes the curious to the HEROINE OF HER OWN LIFE page, access to a preview of the novel, the author’s page and book page. Check it out!

https://claims.prolificworks.com/free/ZG8ntYbe

If you’ve read HEROINE OF HER OWN LIFE and have a few minutes, please rate and review it on Amazon (linked to the book’s page) and on Goodreads (ditto). Don’t be shy and visit my author pages on each. I’d appreciate more reviews very much, and thank you, dear friends and readers.

Three-Legged Woman

Antique spiral clock abstract fractal. Photo by Mikhail Leonov.

At two a.m. I wake as a three-legged woman (no need to veil your maiden eyes—this will not be obscene). Three kneecaps are impossible to arrange comfortably, three ankles threaten to bend at odd angles, and all three feet find the bedclothes intolerable. Any stretching or writhing invites excruciating cramping—nothing works. No sleep resumes.

When did this begin? I’m certain that Baby Constance enjoyed the correct number of stumpy legs and arms attached to a solid little torso, and they never interfered with her comfort. As a young woman, I was never three-legged—nothing bothered me in that direction (except for affairs of the heart or constant destitution, little bothered me, full stop). Whenever it began, I fear it’s here to stay. I am coming to accept that from two to five a.m., I will be fitfully awake and uncomfortable—a three-legged woman.

I should get up and read, or better, write, during those hours, but I’ve never been able to leave a warm bed for a chilly chair in the living room or chillier, my desk upstairs. So what to do?

Three legs and their inherent discomfort set me on a three-legged path mentally: I wonder, I worry, I think-write as the bedside clock crawls toward daybreak.

I wonder about things large and small. I wonder if I’ll see the bobcat strolling down the driveway this fall, as I did last year. I wonder about the Chinese lady who calls from myriad phone numbers and leaves messages. I’ve read that she represents a scam, purporting to be the Chinese Embassy, warning of expired visas and no doubt discussing the cash payment to revive them. I wonder whether Trump will be reelected, which leads me to the next phase.

Wide-ranging worry sets in, impossible as it is to see the bright side during the wee hours. Climate change is feast for a three-legged woman’s worry, and while hard to see in the beautiful place in which we live, it’s evident in Siberia, where the permafrost has melted, towns have vanished into middle earth, and flooded rivers remove all trace. Climate change(d) is obvious too in Greenland, where the loss of ice means loss of hunting for humans and polar bears, now starving. Unbearable lists of vanishing animal and plant species cause pain even in broad daylight.

I worry about the tattered state of the nation and the world, reliving the vicious and mendacious statements and actions of the so-called leaders. The children incarcerated at our border, Syria, Trump, the Kurds. Worrying about my health and our future are top on the list, although knock-on-wood, I’m fine, we’re both fine. I tell myself and my three legs that these are two a.m. thoughts, nothing more, but at least I don’t worry about anything trivial.

I think-write, which is not at all actually writing, not slogging through words on a page, but it can result in some planning for writing. I’ve extricated plots and characters from stuck mode more than once between two and four a.m. Likewise, new characters and new plots have come to me, as have words and names to use, and pictures to paint in my fiction. It’s a good use of time not asleep, and as long as I can keep the worrying to a minimum and the think-writing to a maximum, I won’t keep myself awake with the resentment that insomnia brings.

Eventually, long before autumnal dawn’s twilight, I fall peacefully asleep and wake refreshed before dawn, two legs restored—there, that wasn’t so bad.

If You Plant It, They Will Come: Planting For Pollinators; Red Sox Heartbreak

A Monarch butterfly imbibes the black-eyed susan nectar in our front garden

Four years ago, I began to focus on planting our property for pollinators: bees, butterflies, and birds. A ghostly, whispering voice didn’t tell me to do it, as one told Kevin Costner’s character in the popular movie of 1989, Field Of Dreams—“If you build it, they will come”—but I have added small gardens and planted our field for pollinators over the four years. I’ve concentrated on attracting pollinators and helping provide their food, nesting, and safe harbors for molting. Whatever I’ve accomplished, it’s a drop in the ocean compared to the pressure we put on pollinators— without whom we could not survive, make no mistake—with our insecticides, pesticides, and asphalting over of their food and nesting sources.

This year, the bee balm is full of humming birds (we also dangle feeders around the front deck, which feed them in their hungry spring and are ignored in late summer). The hydrangeas are buzzing with Bumblebees. The milkweed has proliferated in the field, home and grocery store to Monarch butterflies in all stages of their life cycle. Everywhere you look, at every plant— the purple and cream coneflowers, the borage brightly shining in a pot, on the hyssops, prairie blazing stars, goldenrod, the tomato flowers, and even the petunias in the flower baskets—pollinators are feeding, flying, and buzzing. Several species of butterflies flit from the butterfly bush to the bee balm to the black-eyed susans, floating down like ballerinas and folding their wings neatly to sip before becoming alarmed by my looming, inquisitive presence.

The goal is to provide the plants necessary to pollinators for three of our four seasons. It’s a tall order, one I’m sure I have not achieved, especially since we have to mow the field—including the milkweed and the Monarch chrysalises tucked under the leaves — once a year to keep trees from growing. Still, the pollinators have come, no matter my lack of confidence, and I will persist in this project—I will plant.

The time to mow is racing up on us: it must be done before the man who mows must clean, oil and return the equipment to winter quarters. A return to winter quarters is the theme of September. The male hummingbirds departed some weeks ago. A female was visiting the butterfly bush yesterday, loading up for her trip from Massachusetts to Central America, but with yesterday’s cold and rain, she may be gone, too (update: I haven’t seen her this morning). The Monarchs will stay longer into the month, but then they will start their flight to Mexico (and how these tiny creatures make these long trips in such a short time is beyond me, and worthy of another post).

It’s the only thing about the coming season change that makes me sad—our winters are long, and it will be a long time before these visitors—so vital and so entertaining— return.

No, it’s not the only thing to make me sad this year. In Field of Dreams, James Earl Jones’ character did not talk about pollinators to Kevin Costner’s character, but about the dream of baseball come back to life in the baseball field carved out of a cornfield, complete with living, paying fans and dead players (1920s Shoeless Joe Jackson and others of his Black Sox team).

My baseball players—my 2018-World-Series-champions-regular-season-record-breaking-106-game-winning Boston Red Sox team—seem dead as well. They haven’t been able to find their way around the bases since the first alarm bell that was 2019 Game 1 in Seattle. Now, with no hope of the playoffs in their future, their shoulders slump, they are young men made old.

I watched one game from start to finish this week; paid homage. Last season, all pistons were firing. This season, some of the players rally and hit remarkable home runs, bring runs in, make amazing plays, and ahem, infrequently, pitch well. But the team can’t rally as one entity and hasn’t been able to do so all season—and nobody knows why, even they don’t—other than it’s the common curse of champions in the subsequent year. Whatever happens to them at the end of the season—trades, free agencies, even minor league assignments—they too will pack up and fly off to their winter quarters this month.

It takes more than a lovingly preserved ballpark like Fenway to make a great team, as longtime fans can attest. It takes more than I can plant and more than our garden and field can grow to nurture the millions of pollinators we need, under the gun as they are—but it’s a start, a contribution. If I plant more, will more come? I’ll write and ask James Earl Jones.

Actors portraying the ghosts of the 1920s Black Sox taking the field in the 1989 movie, Field Of Dreams: “If you build it, they will come.”

Two links to helpful sites for planting for pollinators in New England:

https://www.massaudubon.org/learn/nature-wildlife/help-pollinators-thrive/plant-a-pollinator-garden

https://extension.unh.edu/resources/files/Resource005973_Rep8387.pdf

#5onFri: Five Tips for Writing Complex, Flesh and Blood LGBTQ+ Characters

AUG 30, 2019 by Constance Emmett
published in diymfa.com/category/writing

Any list of tips for writing complex, flesh and blood LGBTQ+ fictional characters should mirror the list for writing complex, flesh and blood human characters. Whether you identify as a member of one of the groups represented by the capital letters+ or not, it takes passion, knowledge, empathy, imagination, skill, and love to write fictional characters into complex, flesh and blood humans.

The above is obvious, but there are huge challenges in writing a character that readers identify with, can’t forget, and miss when they finish reading the piece—whatever their sexuality/identity. So let’s jump in at the deep end:

1) Dig Deeper to Avoid Stereotypes

In writing your characters—whether you belong to the same sexual/gender identity or not—avoid stereotypes, tired devices, conventional narratives. Vast and disparate groups of LGBTQ+ people are corralled into the narrowest of descriptions by the narrowest of minds: sad and despairing, lonely victims; hysterical and giddy; whatever. Similarly unimaginative and ignorant stereotypes are applied to every race, ethnicity, and religion on the planet, too. Reject them all and start fresh.

If you rely upon or even step into these well-worn tropes for an LGBTQ+ character (an editor accidentally added the word limp to the description of my deceased, gay male character’s wrist—I deleted it), you’ll pen a cartoon, stopping at one dimension, and that makes you a poor writer, whatever your own identity. For inspiration and instruction, read literature.

2) Read Literature

Undoubtedly, you already read literature to nurture your fiction writing. For writers of LGBTQ+ characters, reading literature with LGBTQ+ characters and experiences—queer literature—is key. Great writers have written complex gay and lesbian characters in the past, and fresh voices are writing flesh and blood LGBTQ+ characters now.

Here are two links to lists of contemporary works, for readers of different ages, in every genre, from writers of all identities, by authors from all over the world, and every experience and viewpoint:

The Best of Trans Literature by Susan Stryker

The Top 10 Queer Books of 2018 by Them Magazine

Don’t forget to go back in time, too, even if you’ve read these authors before. Explore lesbian and gay themes in the works of: James Baldwin, Rita Mae Brown, Emma Donoghue, E.M. Forster, Patricia Highsmith, Christopher Isherwood, Armistead Maupin, Alice Walker, Sarah Waters, Oscar Wilde, Jeanette Winterson, Virginia Woolf and many more (other than as a curiosity, Radclyffe Hall’s The Well Of Loneliness won’t help):

The Best 25 LGBT Novels of All Time — The Advocate

3) Gain Inspiration Without Breaking A Sweat

Contemporary movies and TV series are stepping up to the plate (finally), such as Orange Is The New Black, in which a trans woman actor plays a trans woman with depth. Google contemporary TV series and movie LGBTQ+ characters worth viewing, in the eyes of critics and community members. Don’t stop at TV series and movies, because no matter how well written and portrayed, you must add more to your arsenal as a writer—read good fiction.

4) Consider Your Limitations

If you’ve only met trans people casually or not at all, then it’s doubtful you’ve gained enough knowledge about the trans experience to write a flesh and blood character. In that case, you should not tackle a major trans character, or even a secondary trans character. Write what you know—get the knowledge, or change course on the character’s identity to include what you want to write.

5) Write It

What about crisscrossing sexual and gender identities between writer and fictional character? Should a woman writer attempt a gay male character? Hanya Yanagihara wrote her best-selling novel, A Little Life, centered on four gay men. Should a male writer create lesbian characters? Should men write women protagonists, as they have with self-annointed authority since time immemorial? Michael Cunningham wrote about lesbians in The Hours, and Colm Tóibín, a gay man, created heterosexual women protagonists in Brooklyn and Nora Webster. All of these novels are about much more than their characters’ genders and sexual identities, so does it matter that the authors don’t share the identities of their characters? Overwhelmingly, critics and readers alike applaud the novels listed above—and while reactions are more mixed among community members, they are widely read, their characters enjoyed.

Still, there’s good reason to read Virginia Woolf’s Orlando—her own identity fantasy portrayed in her own wonderful writing—at least in addition to Michael Cunningham’s version of her life. The same can be said for reading gay male authors writing about gay men, women about women, trans authors writing trans characters—but all fiction falls into some degree of verisimilitude—it’s up to the reader to decide the level of success the author has achieved.

The late Toni Morrison’s novel Paradise did not spell out for the reader which characters were white and which were black. She wanted “to dissuade people from reading literature in that way. Race is the least reliable information you can have about someone. It’s real information, but it tells you next to nothing.”

Is the same true for sexual and gender identities? It’s real information about a person and it is defining—if only in the way the world reacts to the person’s identity—but it never captures the sum total of anyone’s parts, it never speaks for the whole of the person.

Writing is above all about taking chances. Whether or not you share the same sexuality or gender identity as your character, go for it. If you think you have the passion, skill, knowledge, empathy, imagination, and love to pull off a complex, flesh and blood character, one who makes all readers feel the living being in the fiction, whatever the character’s sexuality/gender identity or yours—write it—write the character and find out.

To quote the late, great Toni Morrison again, “If there is a book that you want to read, but it hasn’t been written yet, you must be the one to write it.”


Constance Emmett’s debut historical/LGQ novel, Heroine Of Her Own Life, published by Next Chapter, is available on Amazon. She writes in an aerie-like office in the beautiful foothills of the Massachusetts Berkshires, where she lives with her wife and their dog. Her non-fiction is posted on her blog, or connect with her on TwitterFacebook, or Instagram.